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([personal profile] mrissa Nov. 15th, 2025 07:26 am)
 

I haven't seen the copies of my new story in Analog (Nov/Dec 2025), but apparently other people have, so: "And Every Galatea Shaped Anew" is out in the world, ready to read if you can find it. It's the story of a technological boost--or is it a detriment?--to our most personal relationships....

Analog has been purchased by Must Read Magazines, and while some of us are managing to wrestle their contracts into shapes we're willing to sign, it's a new fight every time. I have another story with an acceptance letter from them, but at the moment I'm not submitting more. That makes me sad; I have liked working with Trevor Quachri since he became editor, and I liked working with Stan Schmidt before him. Analog was one of my BIG SHINY CAREER MILESTONES: that I could sell to one of the big print mags! And then that I could do it AGAIN! It's been literally over 20 years of working together, and now this. Trevor was not in charge of contracts at Dell Magazines, and he's not in charge of contracts at MRM. This is not his fault. I would like to keep being able to work with him and with Analog. (And with Sheila at Asimov's, and with Sheree at F&SF! Not their fault either! These are all editors I like and value, and one of the things that upsets me here is that they're in the middle of all this.) But the more MRM gets author feedback about best practices and refuses to take it on board, the less I feel like it's a good idea for me as an established writer to give the new writers the idea that this is an acceptable state of things.

So yeah, having this story come out is bittersweet, and I'm having a hard time enthusing about it the way I did about my previous publications in Analog--or my other previous publication this week. Maybe go read that, I'm really proud of it--and I feel good about the idea that newer writers will see my name in BCS and think it's a good place for authors to be, too. There are lots of magazines in this field that treat their authors with basic professional decency as a default, not as something you have to fight them for. I have kept hoping that MRM will rejoin them. There's still time.

lizvogel: What is this work of which you speak? (Cat on briefcase.) (Work)
([personal profile] lizvogel Nov. 14th, 2025 06:58 pm)
I finally got to the scene I've been working toward for so long, and... meh?

I hate it when this happens. Not that the scene itself is all that special to me; it's mainly a catalyst for something else. But it's been the target for quite a while now, and so it's loomed large enough that I expected it to grab me more once I got here. I should have known better; this has happened before, and will doubtless happen again. Just because I'm laying the path toward something doesn't automatically make it writer-fun.

Now, the thing it's the catalyst for, and the thing after that... those should be evil-writer-cackle inducing. :->

Meanwhile, the housemate has read Chapter 8 and a bit of Chapter 9, and cut in case she reads this, which she never does but this would be the one time )

Well, we'll see how it works when it's all done.

Hopefully this weekend I'll get to the thing that is writer-fun, and it will still be fun when I get there. Also hopefully it will inspire a plethora of words, instead of the drudging along I've been doing for the past couple of days. Been hitting quota, just not wildly exceeding it. Wanna exceed it, of course.

15,969 new words and counting.

 

My crow story is out today in Beneath Ceaseless Skies! The Crow's Second Tale is what happens when you mull over crow-related song and story a bit too long, or maybe just long enough. If you need or prefer a podcast version, that's available too, narrated by the amazing Tina Connolly. Hope you enjoy either way.

(I had originally written "a murder for" a particular abstract noun, but you know what, I don't want to spoil what abstract noun it was, go read if you want to know!)

hrj: (Default)
([personal profile] hrj Nov. 13th, 2025 09:34 am)
(I have a large backlog of "things I have read" to post, but I'm doing this one out of order as a did a full review of it.)

Aimée’s Raised for the Sword immerses the reader in the religious wars of 16th century France, when people at all levels of society were split between the majority Catholics and the protestant Huguenots. The story follows three central characters between the courts of France, Navarre, and England as their lives are buffeted by politics and violence. This is something of a slice-of-life tale, where the plot is supplied by the tide of history. The historical details are meticulously accurate, as are the varied depictions of how same-sex romances could find a place in the era and the logistics of long-term gender disguise. The several plot-threads are braided together tightly and resolve in as happy an ending as the times allow. The title, perhaps, implies more swashbuckling than the book delivers. The martial action is more gritty and realistic than picturesquely heroic, as is the depiction of gender politics. This book will appeal to those who want an emphasis on the “historical” side of historical fiction.

(Disclaimer: The author of Raised for the Sword was the French translator for one of my novels. I was provided with an advance review copy at no obligation.)
yhlee: Alto clef and whole note (middle C). (Default)
([personal profile] yhlee Nov. 13th, 2025 10:20 am)
They're not kidding when they say this loom folds up easily (a few seconds) and can be wheeled WITH A PARTIALLY WOVEN WIP STILL ON THE LOOM, ditto unfolding and your project's ready again. (The wheels are extra, but worth it to me.)

Note that this loom is lightweight, my preference (~30 lbs) but that means it will "travel" if you treadle hard. Likewise, by default it's only two harnesses. I unironically love plainweave so this is fine for my use case but if you have more complex weaving in mind, maybe not so much. (You can buy a spendy attachment to convert it to four harnesses, but...)

folded loom Read more... )

I haven't yet tested it, but the design of the "ready-made warp" tabletop system is fiendishly clever. Frankly, warping is potentially so annoying that it was worth the cost. I am considering a Frankenstein's monster modification that MIGHT make warping easier as well but I haven't yet tested it.

tabletop warping system
yhlee: Alto clef and whole note (middle C). (Default)
([personal profile] yhlee Nov. 13th, 2025 07:15 am)
Possum blend from Ixchel, two-ply!

I still love the wallaby blend best, but this is great too.

handspun yarn
https://www.scottedelman.com/wordpress/2025/11/12/a-dream-denied/

On August 12, 1971, my 16-year-old self mailed the first story I ever wrote off on its first submission. The publication I hoped would buy that story, my dream market, was The Magazine of Fantasy & Science Fiction.

[...]

...earlier this week, after what by my count were 23 back and forth emails between me and the new owners of F&SF as I attempted to transform that initial boilerplate contract into something acceptable, I had no choice other than to walk away from my dream.

Let me explain why.

But before I do, I want to preface this by making it clear I have nothing but good things to say about editor Sheree Renée Thomas. Her words of praise as she accepted this story moved me greatly, and her perceptive comments and suggested tweaks ably demonstrated her strengths as an editor. It breaks my heart to disappoint her by pulling a story which was intended to appear in the next issue of F&SF. But, alas, I must.


Short version: Must Read Magazines offers garbage contracts. I'm not in contracts or law, but I started in sf/f short stories 20+ years ago and IMO Edelman correctly refused to sign.

Based on this account and others, I would not go near Must Read Magazines (or F&SF, Asimov's, Analog under their current ownership) with a 200-foot anaconda, let alone a 20-foot pole.
I usually have a half-month lull after October, but somehow this week managed to be even busier (how?). That said, I did manage to read a good number of things, namely:

What I Finished Reading This Week

Embers of the Hands – Eleanor Barraclough
In Embers of the Hands, Eleanor Barralough sets out to recount the history of the Viking Age through what the archaeological and written record can tell us about the people history "forgot": commoners versus kings and warriors; women and children versus men; the enslaved versus the free; and about the activities of everyday life: falling in (un)requited love, religious belief, play, and homemaking, among others. She does this very, very well, with clear prose; a commitment to making clear what's fact, what's conjecture, and what's just not known; a wickedly mischievous sense of humor, and a true love for the subject. The section on Omfim the artist (just read it!) is just charming. This book is an absolute treasure and worth multiple reads.

I Will Blossom Anyway – Disha Bose
I Will Blossom Anyway is a strong contender to be the best novel I've read in 2025. Bose is a phenomenal observer of human beings: these are some of the most fully-rounded characters I've encountered in recent memory. They have strengths, flaws, and blind spots; they think and act in believable ways; they grow. Her depictions of the exhilaration, confusion, and immaturity of early 20's independence and interpersonal relationships are spot-on, as are her depictions of Bengali family dynamics and the good and bad of being an immigrant professional far from home. I'm not saying anything specific about the plot and that's deliberate: there are some real emotional gut punches in this book and they should be encountered exactly as the characters do--with no forewarning. Moreover; Bose sets up a lot of the common tropes and beats and then completely subverts them in ways readers will not expect precisely because she avoids the easy character or plot progressions that leave you grousing "But no one would actually say/do/react like that IRL!" and it is so, so, fun.

TL;DR--this book is so well-written and satisfying; read it.

The Happiness Files – Arthur Brooks
Per its promotional blurb, "Imagine if your life were a startup. How would you lead it and shape it to be most successful?" is the question that underpins the writing of The Happiness Files. Ironically, this book is at its best when Brooks is writing for a general audience versus the sort of people who found and run start-ups (who are apparently emotional imbeciles judging from how Brooks does write for them; namely, as though he were confronting a toddler having a Big Emotions meltdown in the supermarket.)

Luckily, those sections occur toward the front of the book and are soon out of the way, and the rest is quite readable and enjoyable. Much of what Brooks discusses in the volume's 33 3-to-5 page chapters is common sense (e.g., don't hold pointless meetings; don't give disingenuous compliments; focus on having experiences versus acquiring money, and on making progress toward goals versus having achieved them) but it can be helpful to have these things stated outright, and Brooks has a knack for making the point without belaboring it. There is a Christian bent to some of the examples he uses, but it's not particularly heavy-handed, and far more of the book's content is grounded in scientific studies (thankfully endnoted should readers want to follow up on them).

TL;DR - This is a solid book of grounded advice on how to live in a way that fosters contentedness and satisfaction in your personal and professional life.


What I Am Currently Reading

Shield Maiden - Sharon Emmerichs
As a wish-fulfillment fantasy it's great, but oh god, Emmerichs' attempts at diversity and representation are dire.


What I'm Reading Next

This week I acquired Ruin and Rising by Leigh Bardugo, Swiz by Alex Daniels et al., Shield Maiden by Sharon Emmerichs, and Nimona by Noelle Stevenson.


これで以上です。
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jazzfish: Jazz Fish: beret, sunglasses, saxophone (Default)
([personal profile] jazzfish Nov. 11th, 2025 04:05 pm)
I move a lot. I was an Army brat, that's expected. But I've moved more since becoming an adult. As an Army brat I moved about once every two and a half years; as an adult, it's one move every twenty months.

I feel like I am in a good position to declare that moving sucks.

However. I've been remarkably stable lately. The three and a half years I've been at Corvaric are now the longest I've lived in a single place as an adult, and the third-longest in my life. (Four years in a townhouse outside of DC for high school, preceded by the five worst years of my life in Fayetteville NC in late elementary and junior high.) I was in the same apartment complex for the almost-five years I lived in northern Virginia right after college, but I changed apartments to move in with Emily halfway through that.

This also pushes my total time in the lower mainland (the Vancouver area) above the eleven years I spent in Blacksburg VA. (The longest I've spent in any one locale is still northern Virginia, at not quite twelve years, spread across three separate occasions.)

Sure, I'd rather stay in the same place, put down roots, all that. Just never seems to quite come together for me. There's always a good reason to move: money, or job, or relationship, or just "this place is terrible." This time I'm betting it'll be money, though it might be any of the above.

No real point to this. I'm not moving imminently. It's just interesting to look back at where I've been, and for how short a time.

Although moving DOES suck.
lizvogel: What is this work of which you speak? (Cat on briefcase.) (Work)
([personal profile] lizvogel Nov. 10th, 2025 03:00 pm)
Finished Chapter 8 last night. Whee! And gave it a quick check this morning; now I just need to hand it over to the housemate for alpha-reading. Except I need to ask if she wants to the end of the chapter, or also the chunk of the next chapter I wrote today. The production schedule is ahead of the reading schedule!

It's one-third of the way through November, and I am 42% of the way through my target wordcount. Hooray!

12,683 new words and counting.

yhlee: Alto clef and whole note (middle C). (Default)
([personal profile] yhlee Nov. 10th, 2025 08:44 am)


(added a very short video demonstrating Bad Weaving)

floor loom weaving WIP

weaving shuttle

The weft yarn is my two-ply handspun on an Ashford Traveller: wallaby-merino-cashmere-silk blend from Ixchel.

...warping is indeed 99.99% of the physical work, moreso than with a pin loom or rigid heddle loom! After that, the physical work of weaving (plainweave) is stupidly easy.

Joe is getting the world's jankiest tiny blanket out of this. :) One has to start somewhere!
yhlee: Alto clef and whole note (middle C). (Default)
([personal profile] yhlee Nov. 9th, 2025 03:11 pm)
Joe helped and Cloud "helped." :)

warped floor loom

I'm waiting for my intended handspun weft yarn to finish drying in the sun outside before setting up my shuttle. :)
lizvogel: What is this work of which you speak? (Cat on briefcase.) (Work)
([personal profile] lizvogel Nov. 8th, 2025 08:52 pm)
Woke up early today and snuck downstairs for a little writing before an exciting morning of cleaning the eavestroughs in the cold. Do I know how to party or what? But the writing went well (444 words in a little over an hour!), and the eavestroughs really weren't too bad.

Sat myself down for another writing session this evening, and plugged along even though I was having trouble getting started... and trouble reaching around the purring cat to the keyboard.... Some problems are good to have. :-) And then buckled down and produced. I just crossed 100K! Woot! 100,007 to be precise, which includes working in some bits I've been wanting to find a place for, and setting up for some stuff to come. Whoo boy, are my characters in for some surprises... *evil writer grin*

1706 words today. That's the third time I've hit a daily count that would have been good even for old NaNo. But I'm finding the thousand K per day a much more copacetic target; I can write a lot and still have a life. This is a good thing.

9847 new words and counting.

yhlee: Alto clef and whole note (middle C). (Default)
([personal profile] yhlee Nov. 7th, 2025 09:50 pm)
Not my catten but [personal profile] isis's catten's contribution! So very soft. :3



Not much yet as it's a slightly tricky spin, mostly in that one has to pay attention instead of watching anime while spinning on inattentive mode. :D It feels different of course (silkier/floofier), but the spinning technique, like huacaya alpaca, is surprisingly similar to cotton in some ways!

BTW, [personal profile] isis, Cloud has been sniffing my hands VERY SUSPICIOUSLY ahahahaha.
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([personal profile] mrissa Nov. 7th, 2025 09:26 pm)
 

Review copy provided by the publisher.

This is the second half of what is being called a duology, with The Witch Roads as the first half of the story. I would say it's less a duology than a novel in two volumes. The first volume ends on a cliffhanger, and the second picks up basically immediately with no reintroduction to the characters, setting, and plot. So: one story in two volumes, now complete.

There were things I really liked about this and things that left me cold. I feel like the pacing was weird--the chapters are short, but that didn't really obscure how many pages were spent on basically one argument. I also found the ending deeply unsatisfying--the situation of having a character possessing other people was basically glanced at as problematic and then embraced as a happy ending that was entirely too convenient for all involved.

But the return to our protagonist Elen's past home, illuminating it with her adult eyes, was really well done, and I liked the courage and strength shown by the child she encountered there. I love having a fantasy that has an aunt/nephew relationship as one of its emotional cores. This duology simultaneously locates itself centrally in the secondary world fantasy genre of the moment and branches out to do things that I'm not seeing a lot of in other fantasy of this type.

Yesterday was a day off: I had a dentist appointment and assorted errands, and also I was almost two thousand words ahead. :-) Though tempted by the shiny 7-days badge, I decided not to squeeze in a quick fifty words or so just to keep up the writing streak, because days off are good for me. Letting the streak break felt like a proclamation against the write-every-day pushers.

And last night, contemplating the next day's tasks, I was heard to say, "I get to write tomorrow!"

I even managed to sustain some of that enthusiasm through to today. ;-) And yes, I wrote. And yes, it was good; it was even relatively easy. I clocked 1192 words in 2.5 hours, which is a lot fast for me. (I had hoped to pack in a second mini-writing-session, but after a break to feed the cats and a quick research check, I really had to go get ready for the evening's social obligations.) I like what I wrote; it's progressing the way I need it to, my characters surprised me a little but not so much so as to cause problems, and I'm closing in on the end of the chapter, which means I'll soon be able to hand it off to the housemate for alpha-reading. Dare I say it, I had fun.

And that is why I took the day off yesterday. And why I will take a couple more days off during November, as life demands and wordcount permits.

8141 new words and counting.

hrj: (Default)
([personal profile] hrj Nov. 7th, 2025 09:19 am)
(No, not a political one.)

Because I've been having a number of different home projects going on lately, I've been answering the phone more often than usual. My normal routine is that if I don't recognize a caller ID, I let it go to voicemail. The fact that 99.99% of such calls don't bother to leave a voicemail tells me I haven't missed anything important.

But when I might be getting a call from my solar contractor, or city inspection, or the refrigerator repair, or that sort of thing, I loosen up to answering anything that doesn't explicitly say "probable spam." So I'm answering a lot of spam/sales calls.

There's this pattern. I say hello. There's a lengthy silence. The person on the other end says hello. Then another lengthy silence. Maybe eventually they say hello again or ask if I'm there.

To expend some of my frustration, I've taken to using the following script during the second lengthy silence.

"Proper phone etiquette is that you state your name, you state the organization you're calling for, you indicate the purpose of your call, then you confirm the identity of the party you're speaking to. Can you do that?"

Sometimes I get the start of their standard script (at which I break in and once again ask for the name of their organization and the purpose of the call). Sometimes they just hang up. Now that I'm not expecting any further business phone calls, I'll try to retrain my reflexes to hit "do not accept" and see if they leave voicemail. But in the mean time I get some small satisfaction in carrying the banner for old-fashioned phone etiquette. (And one of these days I'll spell "etiquette" correctly the first time.)
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