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([personal profile] mrissa Dec. 21st, 2025 02:06 pm)
 

Coming up on the end of the year, and here's what I've enjoyed in short fiction and poetry! Year end summation post to come.

Heritage/Speaker | Hablante/Herencia, Angela Acosta (Samovar)

Bestla, James Joseph Brown (Kaleidotrope)

Atomic, Jennifer Crow (Kaleidotrope)

Flower and Root, J. R. Dawson (Sunday Morning Transport)

The Place I Came To, Filip Hajdar Drnovšek Zorko (Lightspeed)

Understudies, Greg Egan (Clarkesworld)

All That Means or Mourns, Ruthanna Emrys (Reactor)

Michelle C. Jin, Imperfect Simulations (Clarkesworld)

The Loaf in the Woods, David Marino (Beneath Ceaseless Skies)

Liecraft, Anita Moskát (trans. Austin Wagner) (Apex)

The Orchard Village Catalog, Parker Peevyhouse (Strange Horizons)

The Horrible Conceit of Night and Death, J. A. Prentice (Apex)

Regarding the Childhood of Morrigan, Who Was Chosen to Open the Way, Benjamin Rosenbaum (Reactor)

No One Dies of Longing, Anjali Sachdeva (Strange Horizons)

A Random Walk Through the Goblin Library, Chris Willrich (Beneath Ceaseless Skies)

Phantom View, John Wiswell (Reactor)

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([personal profile] hrj Dec. 20th, 2025 04:20 pm)
The subject line is a lie -- I finished no books in August 2024 due to spending the entire month traveling (Worldcon and sightseeing).

A Shore Thing by Joanna Lowell -- (audio) Sapphic (sort of? one character is transmasculine but still somewhat female-identified?) historical romance. This had beautiful writing and a much more complicated plot than a simple romance, involving artists and bicycle touring in Victorian England. It did feel on occasion that there were a few too many progressive issues crammed into the plot, as if all the bases needed to be covered at once. The author has several other books that braid lightly with this one in terms of characters.

A Liaison with her Leading Lady by Lotte R. James -- (audio) Lesbian historic romance involving a theater company in early Victorian England. The title had led me to expect something more leaning towards erotica and I was pleasantly surprised to be mistaken. The writing was, overall, very nice though sometimes just barely short of over-the-top in style. On the whole, it felt well grounded in the history, though sometimes the concrete everyday details felt thin. There were several "theater culture" aspects that felt highly anachronistic, like they might have been mapped backwards from modern practice. The romance plot was both formulaic and believable.

How to Become the Dark Lord and Die Trying by Django Wexler -- (audio) Character is trapped in a "Groundhog Day" cycle in a fantasy role-playing-like world and must figure out how to succeed through trial and error when every error means death and starting from scratch. It's...ok? I guess? I DNFed this after a few chapters. I'm not a fan of "D&D look-and-feel" books and I just couldn't get interested in the story. I read this around the same time as John Scalzi's Starter Villain and felt the two had a similar feel, so if you liked the latter you might like this one?

Can't Spell Treason without Tea by Rebecca Thorne -- (audio) This is more or less the archetype of the "D&D-world coffee shop AU". Two women escape their roles in a fantasy kingdom and run away to start a combination tea and book shop in a remote village. Plausibility does not come into the question, so I don't judge it on that point. But I just couldn't find it in myself to care about the characters and it was another DNF, which is a shame because "lesbian light fantasy" should be catnip for me.

Netherford Hall by Natania Barron -- (print) Regency-esque fantasy with sapphic romance, in a world featuring magic, vampires, etc. I wanted to like this more than I did. It felt like there were a lot of unconnected details and the conversation-to-action ratio was a bit high. Very imaginative. Don't go into it expecting a historic setting though.

Going to finish up this post with "all K.J. Charles all the time" though I didn't actually read them back-to-back. (I was working on trying to fill in the gaps in the catalog.)

Gilded Cage by K.J. Charles -- (audio) Gay male historic romantic adventure. A sharp, fierce, polished little gem of a story. It kept teasing me with cross-references to characters form the Sins of the City series and now I want to see relationship charts.

Any Old Diamonds by K.J. Charles -- (audio) Gay male historic romantic heist adventure. Comes before Gilded Cage in series order and it was interesting to read this one out of order. See previous comments about wanting to trace connections to Sins of the City. Oh, and excellent as usual.

Rag and Bone by K.J. Charles -- (audio) Gay male historic romantic adventure with magic. A lovely little sweet relationship and a plot where people who do questionable things for good reasons get rewarded. Not sure if this ties in with any of her other series.

Hopefully I'll continue posting a few months every day until I'm caught up, rather than getting distracted and letting it lapse.
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([personal profile] hrj Dec. 20th, 2025 03:49 pm)
Yeah, yeah, it's been a year and a half since I posted these review-like-objects. I keep reading notes in a spreadsheet, so I'm not entirely writing these from memory. I figured I'd try to get caught up as a year-end project.

Saint of Steel books 1-4 (Paladin's Grace, Paladin's Strength, Paladin's Hope, Paladin's Faith) by T. Kingfisher -- (audio) Delightful, if formulaic, fantasy romance series in which broken people find wholeness with each other. They don't necessarily have typical HEA endings, though sufficiently to meet Romance (with a capital R) requirements. There's a series through-line, and other books/characters in the world get passing references. The romance threads involve significant amounts of people obsessively thinking about sex, destructively pining, and then enjoying significant amounts of on-page sex. Gender pairings included m/f and m/m but no f/f.

Rose House by Arkady Martine -- (audio) Interesting "what if a smart house...no a really smart house" story, not so much horror as suspense and mystery. Well done, though it didn't blow me away.

The Mimicking of Known Successes by Malka Older -- (audio) I was doing a bunch of reading for awards and was finishing up the novella category. My initial notes indicate that the story didn't really hook me and that for an exotic exoplanet setting I wasn't getting a lot of clear sensory impressions. I think that impression was wrong, because (having read further in the series) I have very strong sensory memories of the setting and enjoyed it enough to keep going with later books. There's a mystery and a f/f "second chance" romance between college sweethearts, and a strong Sherlock Holmesian vibe for the primary detective character. I'm going to contradict my initial notes and give this a strong rec. (Getting ahead of myself somewhat, I particularly liked how the meaning of each title in the series becomes clear late in the book with a bit of punch.)

A Bluestocking's Guide to Decadence by Jess Everlee -- (audio) Lesbian historic romance. I liked this better than I was expecting to (since I was expecting another cosplay historical). The setting made good use of an existing community of non-conformists (in several senses), offering an acceptance of queerness while the plot conflicts are entirely separate from sexuality.

The Perils of Lady Catherine De Bourgh by Claudia Gray -- (audio) This is part of a light mystery series focused on two original "next generation" characters spun off of Jane Austen's novels. (The male and female protagonists are very tentatively working their way toward a romantic relationship, with the main barriers being class differences and the male protagonists being neuro-atypical.) A very likeable story, though I confess I spotted the culprit in the mystery very early on, based on the one potential suspect that the protagonists never seriously considered. I like the gradually advancing overall arc of the series.

Unfit to Print by KJ Charles -- (audio) Gay male historical romance. This one has a rather sweet second-chance romance, though I found the resolution of the non-romance plot to feel rather rushed. The sexual dynamics were more to my taste than in some of her books (where I don't always feel that the characters actually *like* each other very much, but are just horny for each other).
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([personal profile] lizvogel Dec. 17th, 2025 04:39 pm)
As of this afternoon, Apocollapse is, finally, finished!

Of course, this is the version of "done" that still includes some find-a-better-word brackets, and a couple small chunks that I keep waffling about whether I need or not. One of which depends on whether I split the inordinately large last chapter into two, which might change the title of the epilogue-chapter, which might or might not carry that load.... But it is a coherent hunk of text with a beginning and an end and no gaps in between. Hooray!

It clocks in at an overwhelming 134,665 words. Woof! It is by far the longest thing I've ever written.

It has taken me two years and one-and-a-half months, which despite feeling like it was taking forever is actually pretty fast for me, for a novel. Faster by half than books that were 25%-40% shorter! And that time includes the better part of a year when I was dealing with Mom's medical care and then her estate, and doing very little writing at all.

I shall hand it over to the alpha-reader tonight, and give it a full proper read-through myself fairly soon. For now, though, it is Done. And Done is a very good thing for a book to be.
extrapenguin: Northern lights in blue and purple above black horizon. (Default)
([personal profile] extrapenguin Dec. 17th, 2025 03:56 pm)
In an effort to actually get some wear out of my formalwear, I have decided to take up going to the ballet. Here are the first two.

Carmina Burana (Paris Ballet Theater, Choir & Orchestra of Budapest)
I caught a matinee (16:00) at the Palais de Congrès and was basically the only person who was dressed up at all :'D Ah well. (Achivement unlocked: overdressed at the opera ballet in Paris.)

I reserved the tickets knowing absolutely nothing about what I was getting into, beyond "high culture", so I the fact that it was a ballet was a, uh, surprise.

Anyway. I loved it! There were basically two prima ballerina roles, and the music was great. More ballet should have a choir on stage. The, idk, multimediality? of having a soloist singer sing an aria while the dancers danced a pas de deux or variation was cool. All the drama was on point. I think this is a good production, and they're touring in the rest of France + neighboring regions, so if you can, I rec going!

I also bought the programme and basically everyone named, from production to roles, is from East of the Iron Curtain. (The one exception, The Temptress, is from Italy.) It's noticeable in how the style of dance is much more Vaganova/Russian school, with open shoulders and an engaged back. The same corps is putting on a Swan Lake in March/April that I will catch.

Notre Dame de Paris (Paris Opera Ballet)
This one was at the Opéra Bastille, and people did dress up! (Not all tho; I spotted several people in jeans and t-shirts, puffer coats, or sweatpants. Also a random old lady told me I was truly magnificent.) Sartorial observations below.

This ballet didn't end up working for me. Some of it was synchronization issues (several in the corps de ballet, but also one in a pas de deux between Esmeralda and Quasimodo), some of it was the costuming (all the women were in microskirts and the styling made them look at most 15), but mostly it was I think the fact that it's a French production.

You see, the French style of ballet is all about clean lines, exact positions, control, #chic, #cleangirl. It is fundamentally incapable of adapting Notre Dame because it is fundamentally incapable of depicting horniness. Phoebus and Esmeralda both lost their shirts during a pas de deux and it was not horny, Frollo was just an evil sorcerer who had a stick up his ass in an unhorny way, the prostitutes were unhorny and so was Phoebus dancing with them. I have seen hornier Swan Lakes. Everyone needed to go on a vision quest to find their inner Odile. The Quasimodo & Esmeralda worked, because that's based on innocent sentiment, but the Phoebus/Esmeralda and Frollo -> Esmeralda didn't come across properly at all. Also Frollo came across as sympathetic (99% sure unintentionally) because there's something just that pathetic about having a dude solo dance one half of a pas de deux while two people are dancing the actual pas de deux.

Esmeralda, in a microskirt, being not at all seductive.

However, this does choreographically give the entire corps de ballet (in fact, everyone but Phoebus) some movement stuff to do that's usually reserved for jesters, so this is the production to put on when your corps de ballet has jester envy.

Not super impressed with the company, but I guess I'll catch at least Romeo and Juliet in Apr/May before giving up. Also kinda want to see La Bayadère in Jun/Jul because I've never seen that before.

anthropological observations on clothing
The average Frenchwoman is rail thin, but more of a pear/spoon type – not much beneath, but even less up top, if you will. As such, the "dressy" clothing seems to be elevated pant + elevated shirt + nice scarf. Any dresses are cut incredibly straight in the skirt, at max a very drapey A-line. The goal is to look ~effortlessly put together~, i.e. spend an hour of effort to look like you simply pulled out the first two items from your elegant, curated closet and put them on without thought.

(The person sitting next to me was wearing an actual nice dress with a pleated skirt. Then her similarly dressed friend turned up and turns out they're Russian.)

(By French standards, I am tallish with a broad ribcage. I also objectively have broad shoulders, and an amazingly athletic butt and thighs. There is no way I am able to give the same vibes as the locals lol. Anything I wear will look more playful, intentional, and/or dramatic.)
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([personal profile] mrissa Dec. 15th, 2025 08:41 pm)
 

Eleanor Barraclough, Embers of the Hands: Hidden Histories of the Viking Age. Material goods/archaeological evidence in the study of this period. It's slightly awkwardly balanced in terms of who the audience is--I have a hard time that people who need this much exposition about the era will pick up a book this specifically materially detailed--but not upsetting in that regard.

Elizabeth Bear, Hell and Earth. Reread. Returning to my reread of this series in time to still have all the memories of what's been going on with Christopher Marlowe and William Shakespeare and their connections to faerie realms; as the second half of a larger story, it goes hard toward consequence and ramification from the very start of the volume.

Jerome Blum, In the Beginning: The Advent of the Modern Age: Europe in the 1840s. I feel like this is trying for more than it achieves. It goes into chapters about Romanticism and the advent of science and some other things, and then there's a second section with chapters about major empires. But what it doesn't do is actually talk about Europe in this period--it's fairly easy to find material about England, about France, even about Russia, but there's nothing here about Portugal or Greece or Sweden. It's not a volume I'm going to keep on the shelves for the delightful tidbits, because it's not a tidbit-rich book. Also some of the language is '90s standard rather than contemporary. So: fine if this is what you have but I think you can do better.

Ashley Dawson, Environmentalism From Below: How Global People's Movements Are Leading the Fight for Our Planet. Good ground-up Third World environmentalism thoughts.

Victoria Dickenson, Berries. One of my friends said, "a book about berries, Marissa would love that!" and she was absolutely right. It is lushly illustrated, it is random facts about berries, I am here for it.

Emily Falk, What We Value: The Neuroscience of Choice and Change. Interesting thoughts on working around one's particular brain processes--the third "c" that did not make the title is "connection," and there's a lot about how that can be used to live lives closer to our own values.

Margaret Frazer, Heretical Murder. Kindle. One of the short stories, and possibly the least satisfying one of hers I've read so far: there's just not room for questions, uncertainty, or even a very human take on the life experiences of heretics in this milieu. Oh well, can't win them all.

Jonathan Healey, The Blood in Winter: England on the Brink of Civil War, 1642. If you're an English Civil War nerd, this book on the lead-up to it will be useful to you. I am. It is.

T. Kingfisher, Snake-Eater. A near-future desert fantasy that was creepy and exciting and warm in all the right spots. This is one of Kingfisher's really good ones. Also Copper dog is a really good dog--I mean of course a good dog but also a well-written dog, a dog written by someone who has observed dogs acutely.

Olivia Laing, The Garden Against Time: In Search of a Common Paradise. Lyrical writing about gardening in the face of more than one apocalypse at the same time. Laing loves many of the same reference points as I do, in life, in literature, and in botany, so I found this a warmly congenial book.

L.R. Lam, Pantomime. This is very much the first volume in a series; its ending is a midpoint rather than an ending per se. It's a circus fantasy with an intersex and nonbinary protagonist, and it was written just over a decade ago--this is one of the books that had to exist for people to be doing the things with intersex and/or nonbinary characters that they're able to not only write but get published now.

Ada Limón, Startlement: New and Selected Poems. Glorious. Some favorites from past collections and some searing new work, absolutely a good combination, would make a good present especially for someone who doesn't have the prior collections.

Daniel Little, Confronting Evil in History. Kindle. This is a short monograph about philosophy of history/historiography, and why history/historians have to grapple with the problem of evil. I feel like if you're really interested in this topic there are longer, more thorough handlings of it, but it was fine.

Robert MacFarlane, Is a River Alive? Really good analysis of how we parse things as alive and having rights, and also how riverine biology, ecology, social issues are being handled. Personal to the right degree, balanced with broader information, highly recommended.

Lars Mytting, The Bell in the Lake and The Reindeer Hunters. The first two in a series of Norwegian historical fiction, not more cheerful than that genre generally is but more...active? relentless? I really like this, they're gorgeous, but people will die sad deaths, that's how this stuff does, it's just as well that I'm taking a break before reading the next one because too much of it can make me gloomy but just the right amount is delightful. The symbolism of the stave church and its bells and weaving and all the weight of rural Norway hits in all the right ways for me.

A.E. Osworth, Awakened. This queer millennial contemporary fantasy is not rep of me, it's rep of the people I'm standing next to a lot of the time, and that's powerful in its own way. Many of you are that person. This does things with magic/witch community that feel very true and solid, and it's a fun read.

Lev A.C. Rosen, Mirage City. The latest in the Evander Mills mysteries. This one takes Andy to Los Angeles and his childhood home, in pursuit of missing (queer) persons. Some of them turn out to be perfectly well, some of them...a great deal less so...but the B-plot was focused on Andy's relationship with his mother, whose job turns out to be something he didn't know about--and will have trouble living with. The last line of the book made me burst into tears in a good way, but in general this is a series that has a lot of historical queer peril, and if that's something that's going to make you more unhappy than otherwise, maybe wait until you're in a different place to try them. I think they continue to stand reasonably well alone.

William Shakespeare, King Lear. Reread. Okay, so at some point in early October I earnestly wrote "reread King Lear" on my to-do list for reasons that seemed tolerably clear to me at the time. Things on the list tend to get done. Somewhere in the last two months I forgot why this was supposed to get done. If there's a project it's supposed to inform, reading it has not helped me figure out which project that is. I'm not mad that I reread it, it still has the bits that are appalling in the most interesting ways, but...well. A mystery forever I suppose.

Martha Wells, Platform Decay. Discussed elsewhere.

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([personal profile] mrissa Dec. 15th, 2025 08:41 pm)
 

Review copy provided by the publisher.

I got this in the mail today and immediately read it. Now, yes, it is December and my TBR is perilously small. But also: new Murderbot! Yay! Still delighted to see more of this series.

In this episode: Murderbot has installed code that allows/requires "emotion checks" periodically, so we get to see the self-awareness process evolve with that (and sometimes devolve...). Murderbot is also assisting with the extraction of several humans, including juveniles and an elder. Juvenile humans do all sorts of things that alarm, annoy, and in some cases terrify Murderbot. This is all to the good.

("Terrified" is never the response to an emotion check. Obviously. Like the kid in The Princess Bride, Murderbot is sometimes a bit concerned, that's all. Definitely only a bit concerned.)

Unfamiliar systems, unfamiliar humans, what else could be called for here...oh, wait, is it the consequences of Murderbot's own actions? WELP. Lots of fun. Still recommend. Don't start here, it's mid-ramification.

jazzfish: artist painting a bird, looking at an egg for reference (Clairvoyance)
([personal profile] jazzfish Dec. 15th, 2025 12:41 pm)
The Cinematheque is running a full David Lynch retrospective in December: all ten of his feature films, plus a collection of shorts and the entirety of the new Twin Peaks season. I'm not certain whether I like Lynch's work but it surely is memorable.

Of those: I quite want to see Blue Velvet (seen once, basically no memory of it), Lost Highway (seen at least twice, fuzzy memories), Mulholland Drive (never seen; sounds like a more coherent Lost Highway), and The Elephant Man (never seen; supposedly Very Very Good). I have some interest in Wild At Heart (Lynch directing Nicolas Cage?) and Inland Empire (more Lynchian surrealism; might be more than I want all at once). I have pretty much no interest in Dune (ugh), Fire Walk With Me (ugh, though for different reasons; also, seen it), Eraserhead (from what I've heard I do not need that look into David Lynch's id), and The Straight Story (meh). I do not have it in me to watch eighteen hours of Twin Peaks in four days, though if I did I'd probably also watch Fire Walk With Me. Also no interest in the short films (see above re Eraserhead), and besides those are already over and done.

I'm so glad the Cinematheque exists. It's not as historic as the Lyric in Blacksburg or as fancy as the AFI Silver in DC, but it's comfortable, and it shows a decent amount of stuff I'm interested in. Vancouver honestly has a pretty impressive non-mainstream film scene: the Cinematheque, the more upscale VIFF Theatre, and the more... pop-culture-y, I guess, Rio. Plus the Cineplex in International Village mall that shows random foreign films.

Potential post-xmas schedule below, so I have it written down and can stop saying "wait what am i doing again?"

A lot of movies )
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([personal profile] lizvogel Dec. 14th, 2025 05:50 pm)
I was going to shovel the driveway, but there's a deer in it.

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([personal profile] mrissa Dec. 13th, 2025 05:33 am)
 

We've all heard it a million times: baking is precise and cooking is loose. Cooking is jazz, baking is classical. Cooking has room to improvise, but with baking you have to follow the recipe to the letter.

This is, of course, nonsense. For one thing, you can't control every variable every time. If baking required everything to be utterly precise, it would never work, because air temperature, pressure, and humidity all vary; you have to be able to work around those major variables. If it was true, you'd never see experienced bread bakers frown and throw another handful (or three) into the recipe. And most importantly, if this was true......how would we ever get new baked goods?

I think this is a mistake we make too often when we're thinking about bringing light into dark times for each other. We think of it has having to be precise and perfect for it to work. If we're not winning every struggle, we must be doing something wrong and should just quit. If we can't come up with the perfect phrasing to offer comfort to worried or grieving friends and neighbors, why even try? Maybe tomorrow we'll be warm and witty and precisely right. Or someone else can do it. Surely someone else has the right answer, and we can just use that.

So yeah, the lussekatter--you know what day it is--rose despite the plummeting temperature (and with it the plummeting humidity, oh physics why do you do us like this). They rose and rose and rose. Friends, they are mammoths. They are lusselejon this year. I forgot the egg glaze--I told you last year that I shouldn't mention that remembering it was unusual, and ope, it was an omen, I did not put egg wash on. They are still great. They are still amazing. What they are not--what they don't have to be--is perfect.

Last week one of my friends wrote to me to say that she'd made calzones but they'd turned out denser than usual. And you know what I thought? I thought, "Ooh, her family got calzones, I should make calzones one of these days!" And not in the "I'd do it better than that loser" way, either. Just: yay homemade calzones, what a treat. I watched her doing it. I remembered that I can do it too. Dense or not. Egg washed or not. Perfect or--let's be real, perfect isn't available, what we have is imperfect, and it turns out that's what we need. Lighting one imperfect candle from another, all down the chain of us, until the light returns.

2024: https://marissalingen.com/blog/?p=4078

2023: https://marissalingen.com/blog/?p=3875

2022: https://marissalingen.com/blog/?p=3654

2021: https://marissalingen.com/blog/?p=3366

2020: https://marissalingen.com/blog/?p=2953

2019: https://marissalingen.com/blog/?p=2654

2018: https://marissalingen.com/blog/?p=2376

2017: https://marissalingen.com/blog/?p=1995

2016: https://marissalingen.com/blog/?p=1566

2015: https://marissalingen.com/blog/?p=1141

2014: https://marissalingen.com/blog/?p=659

2013: https://marissalingen.com/blog/?p=260

2012: https://mrissa.dreamwidth.org/840172.html

2011: https://mrissa.dreamwidth.org/796053.html

2010: https://mrissa.dreamwidth.org/749157.html

2009: https://mrissa.dreamwidth.org/686911.html

2008: https://mrissa.dreamwidth.org/594595.html

2007: https://mrissa.dreamwidth.org/2007/12/12/ and https://mrissa.dreamwidth.org/502729.html

2006: https://mrissa.dreamwidth.org/380798.html — the post that started it all! Lots more about the process and my own personal lussekatt philosophy here!...oh hey, this is the twentieth year I've posted about this. Huh. Huh. Well, isn't that a thing.

https://johnsnowproject.org/primers/sars-cov-2-leaves-a-lasting-mark-on-the-immune-system/

"2. Twenty months later: recovery but not to baseline"

(This means that masking, even after a covid infection, is worthwhile because it will help lower infection from other diseases. Dosage matters! The fewer infectious particles that get into the body, the easier it will be for the immune system. even weakened, to contain them.)
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([personal profile] jazzfish Dec. 11th, 2025 10:25 am)
From today's Ask A Manager update:
I am still job searching. It's extremely rough out there, and I have not been able to get very far in interviews for the same job I left at this company because I am so early career. I've been getting feedback from companies when they do not move forward with me that they just have more candidates with more experience, always.
Money is at least sorted for the short-term. Assuming I can in fact sell this place and find somewhere else to live, it's sorted medium-term as well. Beyond that, I refer you to John Maynard Keynes: "In the long run, we are all dead."

(Context makes that quote much more interesting than simple fatalism. Keynes was arguing with someone claiming that certain economic policies would make things worse in the short term but in the long run we'd all be much better off. Keynes believed strongly in fixing what we could now, an attitude I appreciate even when I have trouble implementing it. Can't have a better future if you can't get yourself into the future.)

Books on shelves, roof overhead, food in pantry, snoring cat. Breaking out the xmas stuff this weekend, I think. Could be worse.
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([personal profile] marthawells Dec. 10th, 2025 01:46 pm)
Some news:

* The Murderbot and fantasy novel Humble Bundle has returned for two days. The charity donation is still World Central Kitchen:

https://www.humblebundle.com/books/martha-wells-murderbot-and-more-tor-books-encore


* I'll be co-guest of honor with John Picacio at AggieCon 55 on January 30-February 1 2026 in College Station, TX.

https://www.aggiecon.net/


* Also you can preorder Platform Decay, the next book in The Murderbot Diaries, at whichever retailer you prefer, and it will be out on May 5, 2026. Published by Tor Books, cover art by Jaime Jones, edited by Lee Harris.


https://bookshop.org/p/books/platform-decay-martha-wells/8cf1662cf8bf8d15?ean=9781250827005&next=t
extrapenguin: Northern lights in blue and purple above black horizon. (Default)
([personal profile] extrapenguin Dec. 10th, 2025 02:03 pm)
Lanna mentioned being out of the loop wrt new music, so I've decided that, when it fits the prompt, I'll pick some 2020s music. After all, we're halfway through the decade, now! (More than, if 2020 counts and 2030 doesn't!) So have some symphonic metal released in 2025 for...

a song that makes you smile
Catalyst Symphony - Eden


The Light Inside EP on Bandcamp


prompts under the cut

a song you discovered this month
a song that makes you smile
a song that makes you cry
a song that you know all the lyrics of
a song that proves that you have good taste
a song title that is in all lowercase
a song title that is in all uppercase
an underrated song
a song that has three words
a song from your childhood
a song that reminds you of summertime
a song that you feel nostalgic to
the first song that plays on shuffle
a song that someone showed you
a song from a movie soundtrack
a song from a television soundtrack
a song about being 17
a song that reminds you of somebody
a song to drive to
a song with a number in the title
a song that you listen to at 3am in the morning
a song with a long title
a song with a color in the title
a song that gets stuck in your head
a song in a different language
a song that helps you fall asleep at night
a song that describes how you feel right now
a song that you used to hate but love today
a song that you downloaded
a song that you want to share
jazzfish: book and quill and keyboard and mouse (Media Log)
([personal profile] jazzfish Dec. 8th, 2025 06:57 pm)
The Cinematheque is doing a Hong Kong New Wave action series, which means I finally get to see a bunch of movies I've heard about for ages.

City On Fire )



Peking Opera Blues )



The Killer )
.